This would indicate that the director is positioning the audience as a child, which is also reflected in the themes of fantasy and friendship that go through so many of his films. The absent father is often cited as a theme of Spielberg's films, if you research his biography you should find some stuff about his parents splitting up.
Anyway, a lot of his films contain allusions to an absent, distant or uncaring father - e. Elliot's father is in Mexico. Your best bet would be to read a couple of books, they will almost certainly have a passage or two referring to the above.
And if you watch some of his films closely these things shouldn't be too hard to spot. Follow 6 Any idea on what coursework you guys completed for A2 film studies?
Im struggling with mine so badly. We have to do a Presentation approx words and a Catologue including Secondary and Primary research approx words. The Actress i have choosen is Scarlett Johansson and the fact she has appeared in 24 films but still lacks a defining role. We are here to help This forum is supported by: Can't stop stealing other girls' boyfriends. GF never initiates sex. Investment banking and consultancy Replies: Advice on everyday issues Replies: Count to a million Part 31 Started by: I got into University!
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Study help unanswered threads Groups associated with this forum: Get Started Today's posts Unanswered posts. Sedira used this technique to present a story whereas Brakhage used techniques that physically have ink on glass.
All of these techniques together helped me create a mesmerising film. Brakhage often used atmospheric still images accompanied by non-diegetic music that is very ambient making an audience think by using sound and visuals. I decided to add this effect into my film to make a more art house film and create confusion in an audience as to what they are looking at. This then makes my film have a philosophical meaning that is very deep and hopefully provokes an audience to reflect while being relaxed and mesmerised.
During filming I had the camera on a tripod and the camera tilted landscape with an extremely close up of the jar, only a part of the jar was filmed with sides of the background showing. For that reason I decided to tilt the camera portrait and fill the whole screen with an extremely close up shot of the jar with the ink coming into the left, this then created a stronger atmospheric look on the film, because the close up shot is making the audience see something that they have not seen before adding a sense of confusion.
To enhance the artistic atmosphere I decided to add non-diegetic ambient music to all four films and made the music start at different times, this makes the atmosphere more superior as the ambient music will be coming from different parts of the room if it was in an art gallery. I like my idea of making the music begin at different times and in different areas in the room as this adds to the disorientating effect upon the audience. MAX looks out of the window of his car profoundly, and is constantly checking the time of his expensive watch.
RENEE rushes around her small dressing room, adorned with vases of lilac and white lilies. Quickly checking her face and hair, she dashes out the door and through the dimly lit, skinny corridor to reach the side of the vast stage. She smoothes down her lilac sequined corset with fringed skirt, her signature colour. RENEE enters the stage to cheers from her audience, a large amount for a daytime show. The room in which she is about to perform in is dark, coloured in deep reds and purples.
The chairs adorn velvet covers, and the men that perch on them are just as dark and sultry as the room they sit in. The audience looks on, entranced by her. MAX slowly walks into the room and instantly realises what the fuss was about.
He takes a seat in a dim corner booth and is captivated by VIOLA, as she sensually dances to the music. RENEE finishes her act to loud applause, and sashays off the stage to her minute dressing room. She slips out of her stage costume and quickly throws on a purple wrap dress, pushes her large tortoise shell sunglasses onto her face, and places the large black floppy hat on her head. She throws her black cape over her shoulders. RENEE picks up her handbag and briskly leaves the room, walking quickly towards the back exit of the club.
As she is about to leave, she is approached by a man in a suit; the manager of the club, BURT. RENEE accepts the cash, and watches him walk away before she leaves. She mutters to herself as she leaves the club. Creative Project 4 Film Only. Small Scale Research Project 1.
Use it as a guide to the way your own script should be submitted. Does this make Haneke an auteur? Michael Haneke is an Austrian filmmaker, and has made many films in the languages of English, German and French. Anyone watching Haneke films will recognize a similarity in his dark, disturbing style and his strong use of dysfunctional families as well as his tendency to shock and confuse the audience with ambiguous narrative. I believe that these things, which I will explain in more detail later, make Haneke an auteur.
Haneke remade Funny Games to make it identical to the original with the same recurring themes and interior meaning. Clip of scene where Georgie dies and Paul is looking in the fridge at 1h 1m 10s — 1m Item 2. The audience would have knowledge and experience of surrealist themes and the particular cinematic techniques I intend to utilise. I was also heavily influenced by more mainstream directors such as Nick Park; the director of Wallace and Gromit Aardman animations. These films inspired me due to the shared recurring themes of fantasy, myth and consumption.
This was due to the same ongoing themes throughout, such as the location, which is set in a fantasy world, and has themes of consumption and myths too. It also has religious connotations in it due to its on going scenes with the Devil in it, which can relate to part of the Minotaur sequence in my production film, as the location is set in the underworld Hell. When planning out my film, I decided to make animated mythical creatures out of plasticine, I did this because I wanted to create unique characters, such as Morph.
I created models of mermaids, a unicorn, a Minotaur and a Cyclops because these creatures are taken from myths and legends and are regular features of fantasy films. In the unicorn world I decided to integrate moral and philosophical meaning into it, because God and religion can also be seen as a myth to people, because religion is like a story passed down to generations, just like a myth; The binary oppositions of the unicorn world, which is set in heaven and the clouds, to the mermaid world, which can be seen as the centre Earth , and then the Minotaur world which is seen as underworld Hell , shows the desire for temptation.
Small Scale Research Project 2. Here is an extract from a well structured Annotated Catalogue with good notes and good detail. Use it as a guide to the way your own catalogue should be submitted. Some items have been omitted. Click above to download.
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The example below gives a hypothetical example and includes reference to film issues raised during AS & A2 studies. Example: 'Farewell my Maltese Lady from Shanghai' - film/video production I shone the torch onto the paintings that were being filmed to help add to the atmospheric mood I was trying to create. For my Film A2 coursework, I.
Apr 28, · [SORRY ABOUT THE WATERMARK ¬¬] This is my A2 Film Studies coursework. We had to make a film based on or related to our chosen search area (my chosen area was. Film Studies Help & Support. World Cinema. City of God; The Bicycle Thieves. Italian Neo Realism; Your submission for the creative element of your Film Studies coursework is comprised of two elements: A screenplay Compulsory for A2 Film Students. Completely spam free, opt out any time. Please, insert a valid email.
September 7, Cv writing service us vancouver. Starting at $ per page. Discover the secondary school qualifications you need to have acquired if you have overseas qualifications media studies a2 coursework help media studies a2 coursework help Turnitin provides instructors with the tools to prevent plagiarism, engage students in the writing process, and media studies a2 coursework help. Film Studies A2 Auteur project help watch. Announcements. Five things you should do when you go to uni. Start new discussion Reply diamondlad Follow; 0 followers; 1 badge For my A2 Film Studies coursework, I have to complete an Auteur project on either an actor, a genre or a director. I'm leaning towards the idea of director, as i think it.